AI’s Perfect Crimeby François Debrix “If you’ve created a conscious machine, it’s not the history of man. It’s the history of Gods.”— Ex Machina (2014), written and directed by Alex…

Fractal Subjects, Simulated Bodies, and Artificial Eating in Hyperrealityby Dr. Linea Cutter “…you could say that the social is just like the sense of taste in American cuisine. It is…

Flipping the order of simulacra: from the Spirit of Terrorism to Street Art in the age of deglobalizationby Dr. Nello Barile  The war against Ukraine has revealed a new phase…

Getting #Lainpilled: Towards a Definition of the (Hyper)Eschatological Conditionby Alexzander Mazey Getting #Lainpilled: Towards a Definition of the (Hyper)Eschatological Condition Alexzander Mazey ‘The funny part is that experts have calculated…

Artworks from the series Overflow (2024) by Noor Zahran Noor Zahran is a Malaysian artist based in Selangor who pursued his studies in Creative Media Digital at KPM Indera Mahkota….

News Fetishism and the Hegemony of FormsDr. Peter Nielsen Introduction In recent decades, a profound development has taken place when it comes to media, especially regarding internet, social media and…

Digital Guillotine 2024. Decomputating Algocratic Regimes In the Delirium of the Simulation: Revisiting Baudrillard with Achim Szepanskiby Dr. Giorgi Vachnadze We are held captive by a recursive simulacrum; an automated…

Baudrillard and Cityby Dr. Ahmed Dağ The process of making law or science started with the rationalist-empiricist synthesis of the 17th century during the Enlightenment (18th century) that replaced tradition…

Reevaluation of Jean Baudrillard: The Economy of the Futureby Dr. Alan N. Shapiro Introduction This article is a part of my book “Decoding Digital Culture with Science Fiction Hyper-Modernism, Hyperreality,…

On the Entanglement of Contemporary Future Imaginaries: Conceptualizing the Matrix and the Brain-Machine Interface from Baudrillard and Gibson to Muskby Dr. Jiré Emine Gözen (Tweet of Elon Musk on the…