International academic journal "Baudrillard Now"
In his richly illustrated text, Maltsev presents a reasonable (if that is the right word) argument for a Baudrillardian unified philosophy; something that Jean himself might find a bit “out there.” Most readers of Baudrilliard have most frequently seen his fifty-odd works, that Maltsev deftly synthesizes, as a jumble of discrete jigsaw puzzle pieces that might, with great mental effort, be fit together into a single image.
From a psychological perspective, if a person does not understand the cause-and-effect relationships that determine the nature of current events (in other words, s/he does not understand “how” and “what” is exactly happening), it is extremely difficult for him/her to process data, to form his/her own opinion about these events and, even more so, to form a forecast or probabilistic judgment about the future.
Baudrillard is actually ahead of his time in seeing this mode of power already in the 1970s-80s (though of course the theories underlying it have been around a lot longer). Of course, this has gone a lot further now – social media, social credit systems, information management and so on.
Elegantly written by Oleg Maltsev (with a translation of Kanykei Tursunbaeva) Jean Baudrillard. Maestro: The Last Prophet of Europe situates as an interesting line of investigation that not only traces back to the main core of Baudrillard´s argumentation but also lays the foundations towards a new understanding of his genius.
Was this old world – the world which we presumably occupy today – not also a world living in the ruin of a dead and dying Referentialism? Nonetheless, what is presented through these visions of the retrofuture other than the hyperstitional structuration of techno-authoritarianism, accelerated inequality, and all societies’ metastases living on in a desert of its own making?
We hear every so often people complaining about revisionism and fundamentalism in different societies, but WE ARE living in such society, in a very conformist society of the one-dimensional thinking, and I see clearly now, that there are things I cannot even discuss, it is not even possible to find words to describe the deficiencies.
A bird, is she or
deer dress
or clover smoke
or doll of medlar fruit
or like a wild cat
imaginary with a piercing cry
in the perfect darkness…
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“In the trompe l’oeil, whether a mirror or painting, we are bewitched by the spell of the missing dimension. It is the latter that establishes the space of seduction and becomes a source of vertigo.”
Seduction, Jean Baudrillard
Associated with postmodern and postructuralist theory, Jean Baudrillard (1929–2007) is difficult to situate in relation to traditional and contemporary philosophy. His work combines philosophy, social theory, and an idiosyncratic cultural metaphysics that reflects on key events and phenomena of the epoch.
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